Chi Omega - ΧΩ Sorority Ratings at UPenn
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her curved (see Fig. 6), and a rectangular oneabout two by four inches. A hoe-shaped tool of steel (see Fig. 7) isindispensable for working on the wheel, as is a slender point of steel,an inch and a q
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and even in thesame way, brushing any deep hollows with slip and filling them in withclay. This process should be carefully and conscientiously done, sothat the walls of the bowl, as one feels them b
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y, to mould the rattanin to the form. At about an inch and a half from the last row of knots,a row of pairing is made with a very pliable piece of No. 00 greenrattan. For the benefit of those who may
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up.[Illustration: BUILDING A PIECE OF POTTERY 1. Making the First Coil 2. Testing the Outline 3. Continuing the Piece]Should the walls become weak and insecure from working them toorapidly, let the
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the point where one wishes to cut the top) runthe point of the tool through, till it touches the finger, and hold itsteady and firm till one revolution of the wheel has been made. Thewheel is then sto
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IV METHODS OF DECORATIONThe more simple and strong pottery designs are, the better. Those thatare intricate, no matter how beautiful, are out of place on the big,substantial f
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of the thumbs arepressed firmly down on the clay (as the wheel turns), pressing it againinto mound shape. The hands and clay are wet once more, and the wheelstarted. The clay is now pressed up again
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ame. Modern American Pottery CHAPTER XII MODERN AMERICAN POTTERYOne of the most encouraging signs of the advance in taste amo
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enough to a pottery where the red ware is fired—sothat one’s pieces can conveniently be sent there—it might be wiser touse it than to buy finer clays that come from a great distance, andthen be oblige
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s no danger from frost if the kiln isinclosed by a wooden building, and then it is more convenient for thepotter to do his work where he is not exposed to the weather.[Illustration: FIG. 45 AAAA are t
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