Tau Epsilon Phi - ΤΕΦ Fraternity Ratings at UPenn
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so wrapped over the hand, or a tool, to impress thewet clay, and cords wound about paddles or other tools made similarimpressions. In some cases, the outer surface was rubbed smooth withthe fingers an
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on each side of it. The centre of the design ispierced, as indicated in Fig. 35, by the method described in ChapterIV., and a deep incised line surrounds it.A pale green mat-glaze (see Chapter V.) com
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of the thumbs arepressed firmly down on the clay (as the wheel turns), pressing it againinto mound shape. The hands and clay are wet once more, and the wheelstarted. The clay is now pressed up again
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ld be chosen. A mixture of fire-clay and ball or blue claywill give good results, and the pieces made with it may be sent to thenearest art pottery or to a kiln where stoneware is fired. Having oncefo
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t half an inch from those in theprevious row. Make a double knot this time—that is, repeat the processalready described. Take the strand which was on the left after thefirst knot was tied, bring it ov
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also must be specially chosen for the kiln. It takesseveral tons to fire one kiln, so that the success or failure of afiring is no light matter. The second day much attention must be givento keeping t
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ground-glass slab.[Illustration: FIG. 35]The piece is now ready for its decoration. This is the design shownin Fig. 35. The circumference of the top of the bowl is divided intofifths, and marks are m
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cher has a design of snow-drops, paintedin cream-white slip on a yellow-gray background. Another piece has adecoration of fishes, and on still another, a high, slender flower-jar,stalks of the sugar-c
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ed employing the soft glazes. Later, theyellow, or Rockingham, ware formed the body of the pieces, and nowa creamy-white body is used, which produces a strong and beautifulpottery. This is finished wi
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etaken not to add the coils until those below are quite stiff, for thedecided flare makes it difficult to keep the sides firm and true inoutline. The circumference of the bowl, at its widest part, sho