Sigma Nu - ΣΝ Fraternity Ratings at UPenn
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By: bowl witPosted:
y down on the top of thepiece, holding it there steadily till one or two whole revolutions ofthe wheel have been made. If one wishes to have a more flaring top, laythe forefinger of the right hand ins
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By: he unbakPosted:
rts of the design may be emphasised bycutting the outline somewhat deeper at those points. Be sure to cutaway enough clay about the design to leave it in decided relief, forthe glaze softens the edges
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By: oden tooPosted:
n the plaster is hard and set, the mould is taken from thewheel and reversed, so that the clay may be removed. To do this, digout the inside of the clay mould with a large sheet-steel tool, takingcare
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By: at atimePosted:
ands out from the jar—does not cling as it ought, itshould be thoroughly wet and bound around with string or raffia, andfirmly tied, until it is dry. Fig. 49 shows the completed covering. _Green Po
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By: VolkmarsPosted:
nd overlappingslightly like the shingles on a house. The bottom receives but one coatof glaze, as it is liable to stick in firing and be uneven if it hasmore than one. Next start at the sides, near th
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By: about thPosted:
of potter’s wheel, which was turned with onefoot, the potter standing on the other, made the work too difficult andlaborious for a woman to attempt. Now, however, a wheel copied froman old French mode
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By: ne of thPosted:
ted metal one, taking care to leave sufficient thickness togive it a sturdy, substantial character, yet not enough to make itclumsy. It is then rubbed over with a damp sponge and polished with thethum
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By: e it, aPosted:
ing-pin, until it is six inches square and aboutfive-eighths of an inch thick. Upon this clay sheet a circle is marked,five inches in diameter, cut out and placed on a plaster tile. Theedge is criss-c
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By: mat-glazPosted:
is evenly andcarefully cut out with strokes of the oval, smooth-edged tool, so thatthe outside ring shall form a ridge not over one-sixteenth of an inchabove the depressed interior of the circle. The
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By: whole rPosted:
ld be chosen. A mixture of fire-clay and ball or blue claywill give good results, and the pieces made with it may be sent to thenearest art pottery or to a kiln where stoneware is fired. Having oncefo
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