Sigma Alpha Epsilon - ΣΑΕ Fraternity Ratings at UPenn
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, for incising and other decorative work. A steel tool withnarrow, flattened ends (see Fig. 4) is necessary for cutting away thebackground to leave the design in low relief.[Illustration: FIG. 6][Illu
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ndles (see plate) are formed ofrolls of clay (the consistency of that used in making the jar), fiveand a half inches long by an inch wide and half an inch thick. Theseare firmly attached to the back w
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wheel) is fastened to the edge of a strong table or shelf,which has been placed in a good light. A seat which slants forward, notunlike a reading-desk in form, is made of wood (see Fig. 11), and setu
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s and forms for this ware, and, for the most part,the pieces are beautiful and restful to the eye. The few incised ormoulded decorations are not made prominent, but are suggested ratherthan sharply de
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IV METHODS OF DECORATIONThe more simple and strong pottery designs are, the better. Those thatare intricate, no matter how beautiful, are out of place on the big,substantial f
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two inches above the bottom of it. Let it set foran hour or more until it seems perfectly hard. The oilcloth is thentaken off, and with the dull point of the hoe-shaped tool the bottom istrimmed true
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g it firmly againstthe bottom and sides. It may not be out of place here to say that notool but a wooden one should be used in working in moulds, as metaltools are liable to injure the plaster. The ed
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it iswell started, and both feet are up on the rest, the hands held one oneither side of the clay starting close to the wheel, move slowly upthe sides of the lump, drawing it up into a cone shape. The
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rs in potters’ tools. A sponge, a ground-glass slab about a footsquare, a rolling-pin, and sandpaper are also essential.[Illustration : FIG. 8]Round and square slabs of plaster of paris should be provi
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d off into fifths, and atthree-quarters of an inch from the top the design is drawn with pencil,so that each time it is repeated the centre shall be directly below amark on the edge. It is first incis
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