Phi Delta Theta - ΦΔΘ Fraternity Ratings at UPenn
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ded hollows made by joining the coils,they should be filled in with clay of the consistency of the piece,and the bottom and sides smoothed with dampened finger or modellingtool. If a moderately deep m
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of different sections of the country varies in material,form, colour, and decoration. That the ware of a certain tribe wascrude and imperfect does not necessarily indicate that the people whomade it
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ases,which affect the colour of the ware so that it is not practicable forart pottery.Seen from the outside on a day when the kiln is being filled, itsaspect is quite different. Inside the great brick
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is the jar liable to crack. The top is now made even byeye, using the pointed steel tool.[Illustration: FIG. 30][Illustration: POTTERY FOR BEAUTY AND USE The pale-green rose-bowl with a moth design,
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he next day the clay will have dried and shrunk sufficiently toenable the potter to slip it out of the mould. Any cracks or hollowsthat may be found on the outside are wet with slip and filled in with
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t it will slide. The lump of clay, held in bothhands, is then thrown firmly on to the centre of the wheel. The bottomof the lump should be well down on the wheel, and it is most importantto have it ex
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ups, the twostrands on the right are brought beside the two on the left of thegroup to the right of it, and knotted together as described on page132, at three-quarters of an inch from the first row of
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yellow.It will be seen from these directions how much the colouring of glazesis like the blending of pigments for a picture. It is a delightfulfield for experiment, and the element of chance is suppl
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rm shown in Fig. 34, the straight-sided circularcavity in the centre being about three inches deep, and the whole slabperhaps sixteen inches square. The basin part, like the bowl-shapedmould just desc
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arting at the top,below one of the marks, criss-cross lines with the steel tool for aninch down the side of the jar. Do this on the other side of the jar,and then, starting an inch above the mark on e